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I was born in the year The Beatles broke up and Janis Joplin and Jimi Hendrix died and on the same day of the year as Andy Warhol was born and Velázquez died. I am about 2 meters or 6'6" tall and weigh 86 kg, weather permitting. I studied econometrics (or mathematical finance if you prefer), philosophy and literature at the Erasmus University Rotterdam, the University of Leiden (both The Netherlands) and University College London.

I am a choreographer, photographer and researcher/theorist. In my spare time I work with an investment bank. I love dark chocolate, dark bread, tea and ice creams. The best ice cream I ever had was at Gelateria Gianni in Bologna.

An artist to me is first and foremost someone with a curious mind, a mind that is constantly probing the world and uses whatever medium to express this curiosity. In that sense to me there is no difference between my research, my performances, my photos and my videos. This is also why I prefer to say what I do rather than what I am.

In 2001 I was a visiting scientist and artist at the University of Southern California in Los Angeles. In 2005/6 I was a guest lecturer in the Dance Unlimited program of the Arnhem School of Dance, a post-graduate course in choreography. Together with my students we studied different ways of cointegrating critical theory and dance practice.

My research applies insights from philosophy, cognitive neuroscience, psychology, mathematics and sociology to the study of art in general and dance and choreography in particular.

Recently the gap between my research interests and artistic work on the one hand and my work in finance on the other, which had long been separate endeavours, has been shrinking, as I've become more and more interested in globalization, urbanism and emerging markets.

My artistic work arises from the friction between my formal interests in structures and patterns and my predilection for "dirty realism". In 2004 I created a full evening choreography for the former Ballett Frankfurt, now The Forsythe Company, Communications from the Lab. I'm currently working on a number of projects in which all of my current interests will come to the fore.

I have presented my work and research at festivals and conferences in Los Angeles, Toronto, Boston, Berlin, New York, Frankfurt, Lisbon and various other cities around the world.

The Ivar drawer unit. Buy it at your local Ikea store.

Albums

Tool: Lateralus
Massive Attack: Mezzanine
Underworld: Second Toughest in the Infants
Depeche Mode: The Singles 86 – 98
Arctic Monkeys: Whatever People Say I Am, That's What I Am Not
Talking Heads: Remain in Light
Radiohead: Hail to the Thief
U2: Achtung Baby
PJ Harvey: Stories from the City, Stories from the Sea
Tricky: Maxinquaye
The Klaxons: Myths of the Near Future
Breakbeat Era: Ultra Obscene
Smashing Pumpkins: Mellon Collie and the Infinite Sadness

Films

Fallen Angels
Natural Born Killers
Caché (Hidden)
Three Times
Mulholland Drive
8.5
Pulp Fiction
Trainspotting
Fight Club
Requiem for a Dream
Traffic
Magnolia
Being John Malkovich
Koyaanisqatsi
Festen
Manhattan
Dekalog
Oldboy
Citizen Kane
Blade Runner
Lost in Translation
Suzhou River
Infernal Affairs
In the mood for love
2046
Gegen die Wand

Dance

William Forsythe
Merce Cunningham

Theatre

Frank Castorf
Forced Entertainment
Rene Pollesch

Architecture

OMA/Rem Koolhaas
Atelier Bow Wow
Sejima + Nishizawa/SANAA
Herzog & De Meuron

Photographers

In other words, between urban and fashion photography. A photography book that had great impact on me is Greg Girard & Ian Lambot, City of Darkness.

Edward Burtynsky
Alex Webb
William Eggleston
Daido Moriyama
Steven Meisel
Guy Bourdin
Irving Penn
Robert Polidori
Anton Corbijn
Ellen von Unwerth
Michael Wolf

Artists

Bruce Nauman
Thomas Hirschhorn
Gerhard Richter
Marcel Duchamp
Jean-Michel Basquiat
Banksy
Donald Judd
Francesco Clemente
Berlinde de Bruyckere

Directors

Wong Kar-Wai
Park Chan-wook
Michael Haneke
Hou Hsiao Hsien

Fashion Designers

Alexander McQueen
Balenciaga
Junya Watanabe
Comme des Garcons
Yohji Yamamoto
John Galliano
Dior Homme
Neil Barrett
Jan Jansen Shoes

Composers

György Ligeti
Steve Reich
Anton Webern

The Ivar chair. Yours for 15 euro. At your local IKEA store.

FAQ

Answers to some frequently asked questions.

Who do you consider your biggest influences?

William Forsythe, David Carson, Rem Koolhaas, Jacques Derrida, Bruce Nauman, Rei Kawakubo, Tim Etchells, Frank Castorf, Gilles Deleuze, William Eggleston, Alex Webb.

What is the relationship between your work and your research?

In my performances I just do whatever I feel like. I don't work according to some methodology. My work is not an illustration of my research. Obviously my research feeds my intuition. And of course my own work inspires my research and my current interest in urbanism, what the Japanese call "dame", the ugly and the "Real" is reflected both in my research and my work.

How do your work in finance, your research and your artistic work relate to each other?

Art is about freedom. It is about being free to do what you want and about expressing yourself the way you want. Being an artist is not the same as making money from selling your art. Having a job gives me the freedom to work the way I want to work. I don't have to accept invitations to make a piece only to pay the bills. I'm not stuck in some kind of two or three pieces per year routine. As to my research, having a job means that I'm not forced to recycle my own ideas only to keep on publishing. I can write an article when I think I've got something to say. I think it is silly that today scientific productivity is measured in terms of quantity, the number of published papers. Apart from that I like working in finance. It is good to be part of different worlds.

Lessons learned

You should not be afraid of failure. It is better to try and fail than not to try at all. Chance favours the prepared mind, meaning that if you keep your mind wide open, you're more likely to stumble upon something of interest. Sometimes you have to ask yourself what would be the wrong thing to do and then do that thing. Don't get locked up in your own beliefs and convictions. Don't aspire to what somebody else does, do what you can, that way you're most likely to do something interesting and to be happy with the result. Allow yourself some time to let your thoughts drift. Take good care of yourself, be nice to other people, eat well, get enough sleep and exercise and don't forget the sun cream.