PERFORMANCES

Six Propositions

Concept & Choreography: Ivar Hagendoorn
Dancer: Saskia de Vries
Music: Gérard Pesson, Sunn O))), Kaija Saariaho, John Cage & J.S. Bach
Costume: Issey Miyake
Year: 2020

Proposition 1.21, Proposition 2.202, Proposition 3.1, Proposition 4.1212, Proposition 5.2

Performance Archive

NEWS

I'm currently finally at long last working on some new projects again.

The Oxford Handbook of Improvisation in Dance edited by Vida L. Midgelow is out in print! It includes a chapter by me. It is a groundbreaking publication that finally puts dance improvisation on the map as an area worthy of theoretical reflection and inquiry in its own right.

The special edition of French magazine Sport & Vie (No. 49, December 2018), "La Danse, comme on n'en parle jamais", includes an interview with me. The entire issue is well worth reading. So, if you speak French, get yourself a copy before it's out of stock. You can order it online.

(Click to enlarge)

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PUBLICATIONS

Hagendoorn, I.G. (2019). An Agile Mind in an Agile Body. In: Midgelow, V.L. [ed.], The Oxford Handbook of Improvisation in Dance. Oxford: Oxford University Press, 749-761.

Hagendoorn, I.G. (2010). Dance, Language and the Brain. International Journal of Art and Technology, 3 (2/3), 221-234.

Hagendoorn, I.G. (2010). Dance, Choreography and the Brain. In: Melcher, D. and Bacci, F. [eds.]. Art and the Senses. Oxford: Oxford University Press, 499-514.

More publications

RECENT PHOTO GALLERIES

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Further Reading

The Paris of Agnes Varda. The gentleman of Verona. Thirst. Illusions of AI consciousness. Resistance. Lithium deficiency. Chocolate. Black holes. Cellular automata. Dandelions. David Lynch. And more.

Wolfgang Tillmans at the Centre Pompidou

Wolfgang Tillmans’ exhibition “Rien ne nous y préparait – Tout nous y préparait” at the Centre Pompidou is definitely one of the best exhibitions I’ve seen this year.

Dans le Flou at the Musée de l’Orangerie

“Dans le Flou”, a fascinating exhibition at the Musée de l’Orangerie in Paris, reframes Claude Monet’s "Water Lilies" and modern and contemporary art at large through the lens of blurriness, or "le flou" in French.

READING

FROM THE ARCHIVE