PERFORMANCES

Six Propositions

Concept & Choreography: Ivar Hagendoorn
Dancer: Saskia de Vries
Music: Gérard Pesson, Sunn O))), Kaija Saariaho, John Cage & J.S. Bach
Costume: Issey Miyake
Year: 2020

Proposition 1.21, Proposition 2.202, Proposition 3.1, Proposition 4.1212, Proposition 5.2

Performance Archive

NEWS

I'm currently finally at long last working on some new projects again.

The Oxford Handbook of Improvisation in Dance edited by Vida L. Midgelow is out in print! It includes a chapter by me. It is a groundbreaking publication that finally puts dance improvisation on the map as an area worthy of theoretical reflection and inquiry in its own right.

The special edition of French magazine Sport & Vie (No. 49, December 2018), "La Danse, comme on n'en parle jamais", includes an interview with me. The entire issue is well worth reading. So, if you speak French, get yourself a copy before it's out of stock. You can order it online.

(Click to enlarge)

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PUBLICATIONS

Hagendoorn, I.G. (2019). An Agile Mind in an Agile Body. In: Midgelow, V.L. [ed.], The Oxford Handbook of Improvisation in Dance. Oxford: Oxford University Press, 749-761.

Hagendoorn, I.G. (2010). Dance, Language and the Brain. International Journal of Art and Technology, 3 (2/3), 221-234.

Hagendoorn, I.G. (2010). Dance, Choreography and the Brain. In: Melcher, D. and Bacci, F. [eds.]. Art and the Senses. Oxford: Oxford University Press, 499-514.

More publications

RECENT PHOTO GALLERIES

RECENT BLOG POSTS

Tracey Emin at Tate Modern

Tate Modern has organized a large Tracey Emin retrospective. Her work is a testimony to the cathartic power of art.

Chiharu Shiota at the Hayward Gallery

Chiharu Shiota's immersive installations are highly photogenic, but the symbolism is a bit too obvious for me.

Further Reading

Solvej Balle’s time loop. Chantal Akerman’s predicament. Schubert’s imagination. György Kurtág at 100. Why rivers in the far north are turning orange. Coding after coders. U.S. rail service. Archimedes. László Krasznahorkai. Jürgen Habermas. And more.

READING

FROM THE ARCHIVE