"Bellezza e Bruttezza" at BOZAR in Brussels explores the aesthetic ideals that guided Renaissance artists, bringing together well-known works from the likes of Titian, Botticelli, Dürer and Lucas Cranach the Elder, and combining them with lesser-known, and therefore all the more interesting, works.
Half of social science research doesn't replicate. In defense of algebra. Neuroplasticity. Exotic particles. Human cooperation. Functional brain organization. Manet and Morisot. Willem de Kooning. Bumble bees. G. And more.
The Grand Palais, in collaboration with the Centre Pompidou, has organized a magnificent exhibition devoted to Matisse's final years, the period between 1941 and 1954.
The Pinault Collection's latest exhibition, Clair-obscur, assembles roughly hundred works by 27 artists that meditate on the darkness of our present time. Pierre Huyghe's "Camata" and Sigmar Polke's "Axial Age" alone make it worth visiting.
It doesn't happen often that I spontaneously burst out laughing in a museum, but it happened twice during my visit to the Martin Parr exhibition at the Jeu de Paume.
The Musée du Luxembourg in Paris has dedicated a wonderful exhibition to the dream-like work of the British-Mexican surrealist artist Leonora Carrington.
“This Will Not End Well”, the touring Nan Goldin retrospective currently at the Grand Palais in Paris, channels half a century of creation into a sustained lament for the lost.