The Pinault Collection's latest exhibition, Clair-obscur, assembles roughly hundred works by 27 artists that meditate on the darkness of our present time. Pierre Huyghe's "Camata" and Sigmar Polke's "Axial Age" alone make it worth visiting.
It doesn't happen often that I spontaneously burst out laughing in a museum, but it happened twice during my visit to the Martin Parr exhibition at the Jeu de Paume.
The Musée du Luxembourg in Paris has dedicated a wonderful exhibition to the dream-like work of the British-Mexican surrealist artist Leonora Carrington.
“This Will Not End Well”, the touring Nan Goldin retrospective currently at the Grand Palais in Paris, channels half a century of creation into a sustained lament for the lost.
Solvej Balle’s time loop. Chantal Akerman’s predicament. Schubert’s imagination. György Kurtág at 100. Why rivers in the far north are turning orange. Coding after coders. U.S. rail service. Archimedes. László Krasznahorkai. Jürgen Habermas. And more.
The Mauritshuis has mounted a small but wonderful exhibition about humanity's fraught relationship with birds curated by The Goldfinch and the British writer and art historian Simon Schama.
The Rijksmuseum in Amsterdam has organized an ambitious exhibition devoted to Ovid's "Metamorphoses", assembling roughly eighty exceptional works by the likes of Bernini, Caravaggio, Titian, Poussin, Rodin and Louise Bourgeois.