"À toi de faire, ma mignonne", Sophie Calle's take-over of the Musée Picasso, is one of the most intelligent exhibitions I've seen in a long time. Picasso is absent, but he has never been more present.
The Nicolas de Staël retrospective at the Musée d’Art Moderne de Paris is a revelation. This was the first time that I encountered a comprehensive survey of his work. I instantly recognized a kindred spirit.
Le Paris de la Modernité (1905-1925) is a sprawling exhibition, which brings to life a period when Paris was the cultural capital of the world. Through nearly four hundred works across all artistic domains, the exhibition celebrates the effervescence of the years 1905 to 1925.
I was not expecting to see works by Bruce Nauman, Carl Andre and Jasper Johns, when I saw the posters for “Gertrude Stein and Pablo Picasso. The Invention of Language”, but it makes for an interesting exhibition.
The Mark Rothko retrospective at the Fondation Louis Vuitton is a once-in-a-lifetime opportunity to see an exceptionally large selection of works by the American abstract expressionist.
The exhibition Naples à Paris at the Louvre is a rare opportunity to see some masterpieces from the Museo di Capodimonte alongside the Louvre's own collection of Italian paintings.
The exhibition Matisse, Derain and Friends. The Paris Avant-Garde 1904-1908 at the Kunstmuseum Basel documents the emergence and the heydays of Fauvism.
The exhibition "Futurism and Europe: The Aesthetics of a New World" at the Kröller-Müller Museum explores the relationship between Futurism and other European avant-gardes such as the Bauhaus, De Stijl, Constructivism, Esprit Nouveau and Cubism.
The exhibition Van Gogh In Auvers is a one-of-a-kind opportunity to see a large number of paintings from the last phase of Van Gogh's life, some of which from private collections, that are presented together for the first time.