Paolo Roversi is one of today’s most celebrated fashion photographers. With its red walls and intimate lighting the Palais Galliera is the perfect setting for a retrospective of his work.
"Exteriors: Annie Ernaux and Photography" is a fascinating exhibition, which juxtaposes excerpts from Annie Ernaux’s book Journal du dehors (1993) with photographs from the collection of the Maison Européenne de la Photographie.
"Mexica. Offerings and Gods at the Templo Mayor" is a fascinating, information dense exhibition at the Musée du quai Branly, which documents the results of fifty years of archaeological research at the site of the former Great Temple of the Mexica empire.
The Frans Hals retrospective at the Rijksmuseum brings together some of his best works. Frans Hals is best known for his loose, bold brushstrokes. Other than that there is little to say about his work.
The Anselm Kiefer exhibition at Museum Voorlinden in The Hague shows a selection of works from the past 10 to 15 years, some of which are great, others are, well, not that great.
The American artist Dana Schutz practices painting as a form of social commentary. Her large canvases are often grotesque and absurd, but also full of humor.
Juergen Teller is in many ways my opposite. That’s why I find his work interesting and inspiring. I therefore enjoyed visiting "i need to live", a large retrospective devoted to his work conceived by Teller himself.
The Institut Giacometti in Paris has created a small but beautiful exhibition bringing together all versions of “Le Nez” (The Nose), one of Alberto Giacometti’s best-known sculptures.
Issy Wood’s solo exhibition “Study For No” at Lafayette Anticipations in Paris shows that painting is not dead, it is very much alive and yes, relevant.
"À toi de faire, ma mignonne", Sophie Calle's take-over of the Musée Picasso, is one of the most intelligent exhibitions I've seen in a long time. Picasso is absent, but he has never been more present.