The Kerry James Marshall retrospective “The Histories” received rave reviews when it was on show at the Royal Academy in London last year. It is indeed an excellent exhibition and I might go and see it again when it travels to Paris this autumn.
“Calder. Rêver en Équilibre” is a glorious celebration of an artist who never stopped creating. It is also one of those exhibitions that only the Fondation Louis Vuitton can put together.
The exhibition "Baroque Splendors. From El Greco to Velázquez" features around forty paintings on loan from the Hispanic Society of America in New York including some real gems.
The Monnaie de Paris has organized a fascinating exhibition exploring a popular theme in many comic books: money, whether in the form of a treasure hunt, a gang of thieves or a plutocrat.
The Fondation Henri Cartier-Bresson in Paris celebrates the work of Daido Moriyama with an exhibition centered around Moriyama's obsession with the medium of photography.
"Bellezza e Bruttezza" at BOZAR in Brussels explores the aesthetic ideals that guided Renaissance artists, bringing together well-known works from the likes of Titian, Botticelli, Dürer and Lucas Cranach the Elder, and combining them with lesser-known, and therefore all the more interesting, works.
The Grand Palais, in collaboration with the Centre Pompidou, has organized a magnificent exhibition devoted to Matisse's final years, the period between 1941 and 1954.
The Pinault Collection's latest exhibition, Clair-obscur, assembles roughly hundred works by 27 artists that meditate on the darkness of our present time. Pierre Huyghe's "Camata" and Sigmar Polke's "Axial Age" alone make it worth visiting.
It doesn't happen often that I spontaneously burst out laughing in a museum, but it happened twice during my visit to the Martin Parr exhibition at the Jeu de Paume.