With over 300 lithographs, posters, paintings, gouaches and drawings the exhibition Henri de Toulouse-Lautrec: Paris at Night at the Kunsthal, Rotterdam is not to be missed.
The Bettina Rheims retrospective at the Kunsthal in Rotterdam is pretty standard fare in so far as photography exhibitions go. Photographs that were previously published in magazines or books are printed at monumental size as if to emphasize that they deserve to be exhibited in a museum or gallery.
At the end of Syriana someone returns home. Someone always does. We also see what happens when someone does not return. The files are emptied. The desks are cleaned. That's the way it goes.
Perhaps one of the most appropriate works in the exhibition "Universal Experience. Art, Life and the Tourist's Eye" is a photo from Thomas Struth's museum photographs. It works as a mirror, because yes, that's you and me.
A rich and fascinating exhibition. As Vincent van Gogh wrote in a letter to his brother: "It is difficult to know yourself, but it isn't easy to paint yourself either".
In Elementarteilchen, Johan Simons’ adaptation of the novel of the same title by Michel Houellebecq, the five actors mostly stand on a corrugated floor on an otherwise empty stage. The piece consists of little more than this, but this “little more” touches precisely the right tone.
I had some reservations about the first installment of Guy Cassiers' adaptation of "A la recherche du temps perdu", but the third and now the fourth part stole my heart.