The American artist Dana Schutz practices painting as a form of social commentary. Her large canvases are often grotesque and absurd, but also full of humor.
Juergen Teller is in many ways my opposite. That’s why I find his work interesting and inspiring. I therefore enjoyed visiting "i need to live", a large retrospective devoted to his work conceived by Teller himself.
The Fondation Cartier in Paris has given Bijoy Jain, founder of Studio Mumbai, carte blanche. The result is an immersive exhibition in dialogue with Jean Nouvel’s iconic building.
The Institut Giacometti in Paris has created a small but beautiful exhibition bringing together all versions of “Le Nez” (The Nose), one of Alberto Giacometti’s best-known sculptures.
Issy Wood’s solo exhibition “Study For No” at Lafayette Anticipations in Paris shows that painting is not dead, it is very much alive and yes, relevant.
"Rules: A Short History of What We Live By" by Lorraine Daston is a fascinating, dense and highly readable book, which explores the concept of rules and their role in shaping human behavior.
Patricia Lockwood on meeting with the Pope. How Lea Ypi defines freedom. Siddharta Mukherjee on carcinogens we cannot see. An atlas of human brain cells. The fate of free will. Ed Ruscha. Gerhard Richter. And more.
"À toi de faire, ma mignonne", Sophie Calle's take-over of the Musée Picasso, is one of the most intelligent exhibitions I've seen in a long time. Picasso is absent, but he has never been more present.
The Nicolas de Staël retrospective at the Musée d’Art Moderne de Paris is a revelation. This was the first time that I encountered a comprehensive survey of his work. I instantly recognized a kindred spirit.
Le Paris de la Modernité (1905-1925) is a sprawling exhibition, which brings to life a period when Paris was the cultural capital of the world. Through nearly four hundred works across all artistic domains, the exhibition celebrates the effervescence of the years 1905 to 1925.