Die Kunst der Gesellschaft 1900-1945 showcases highlights from the collection of the Neue Nationalgalerie. Like any good collection presentation it offers a new perspective on the collection.
I loved the installation "Serene Velocity in Practice: MC510/CS183", part of the Michael Stevenson solo exhibition Disproof Does Not Equal Disbelief at Berlin's KW Institute for Contemporary Art.
The Kunstmuseum Basel has a large and interesting collection of artworks covering the entire period from the late Middle Ages and the Renaissance to the present.
In The Avant-Gardists. The Russian Revolution in Art, 1917-1935 Sjeng Scheijen creates a vivid portrayal of a group of artists who revolutionised art, but who were eventually crushed by the system they initially embraced.
The Musée Marmottan-Monet is a small but wonderful museum in the 16th arrondissement of Paris, which houses the world's largest collection of works by Claude Monet.
As Brancusi once said, "if one has reproduced nature realistically it is not creation. An artist must create." The Brancusi retrospective in Brussels shows that he himself was an artist in the true sense of the word.
The exhibition Rembrandt-Velázquez: Dutch & Spanish Masters at the Rijksmuseum is a real joy, pairing up paintings by Dutch and Spanish masters of the 17th century.