Issy Wood’s solo exhibition “Study For No” at Lafayette Anticipations in Paris shows that painting is not dead, it is very much alive and yes, relevant.
"À toi de faire, ma mignonne", Sophie Calle's take-over of the Musée Picasso, is one of the most intelligent exhibitions I've seen in a long time. Picasso is absent, but he has never been more present.
The Nicolas de Staël retrospective at the Musée d’Art Moderne de Paris is a revelation. This was the first time that I encountered a comprehensive survey of his work. I instantly recognized a kindred spirit.
Le Paris de la Modernité (1905-1925) is a sprawling exhibition, which brings to life a period when Paris was the cultural capital of the world. Through nearly four hundred works across all artistic domains, the exhibition celebrates the effervescence of the years 1905 to 1925.
I was not expecting to see works by Bruce Nauman, Carl Andre and Jasper Johns, when I saw the posters for “Gertrude Stein and Pablo Picasso. The Invention of Language”, but it makes for an interesting exhibition.
The Mark Rothko retrospective at the Fondation Louis Vuitton is a once-in-a-lifetime opportunity to see an exceptionally large selection of works by the American abstract expressionist.
The exhibition Naples à Paris at the Louvre is a rare opportunity to see some masterpieces from the Museo di Capodimonte alongside the Louvre's own collection of Italian paintings.
The exhibition Matisse, Derain and Friends. The Paris Avant-Garde 1904-1908 at the Kunstmuseum Basel documents the emergence and the heydays of Fauvism.
The exhibition "Futurism and Europe: The Aesthetics of a New World" at the Kröller-Müller Museum explores the relationship between Futurism and other European avant-gardes such as the Bauhaus, De Stijl, Constructivism, Esprit Nouveau and Cubism.
The exhibition Van Gogh In Auvers is a one-of-a-kind opportunity to see a large number of paintings from the last phase of Van Gogh's life, some of which from private collections, that are presented together for the first time.